{"id":13463,"date":"2022-02-17T16:57:01","date_gmt":"2022-02-17T15:57:01","guid":{"rendered":"https:\/\/lameche.net\/non-classifiee\/la-vie-exhibition-by-abdul-rahman-katanani\/"},"modified":"2024-03-28T15:51:06","modified_gmt":"2024-03-28T14:51:06","slug":"la-vie-exhibition-by-abdul-rahman-katanani","status":"publish","type":"post","link":"https:\/\/lameche.net\/en\/the-big-diary\/la-vie-exhibition-by-abdul-rahman-katanani\/","title":{"rendered":"La Vie&#8221; exhibition by Abdul Rahman Katanani"},"content":{"rendered":"<div  class=\"tatsu-SybQZq1215 tatsu-section  tatsu-bg-overlay   tatsu-clearfix\" data-title=\"\"  data-headerscheme=\"background--dark\"><div class='tatsu-section-pad clearfix' data-padding='{\"d\":\"90px 0px 0px 0px\"}' data-padding-top='90px'><div class=\"tatsu-row-wrap  tatsu-wrap tatsu-row-has-one-half tatsu-row-has-two-cols tatsu-medium-gutter tatsu-reg-cols  tatsu-clearfix tatsu-rye7b513J5\" ><div  class=\"tatsu-row \" ><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-half tatsu-column-image-none tatsu-column-effect-none  tatsu-ByS-q12yq\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-single-image tatsu-module tatsu-image-lazyload tatsu-BJKb512k9  \" ><div class=\"tatsu-single-image-inner \" style=\"width : 1438px;\" ><div class = \"tatsu-single-image-padding-wrap\" style = \"padding-bottom : 98.74826147427%;\" ><\/div><img class = \"tatsu-gradient-border\" alt = \"Art-Exposition-AbdulRahmanKatanani-GalerieAnalixForever-BarbaraPolla-LaVie\" title = \"Art-Exposition-AbdulRahmanKatanani-GalerieAnalixForever-BarbaraPolla-LaVie\" data-src = \"https:\/\/lameche.net\/wp-content\/uploads\/2022\/02\/Art-Exposition-Abdul-Rahman-Katanani-Galerie-Analix-Forever-BarbaraPolla.png\" src =\"data:image\/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAEAAAABCAQAAAC1HAwCAAAAC0lEQVR42mNkYAAAAAYAAjCB0C8AAAAASUVORK5CYII=\"  \/><\/div><style>.tatsu-BJKb512k9 .tatsu-single-image-inner{border-style: solid;max-width: 100%;}.tatsu-BJKb512k9.tatsu-single-image{transform: translate3d(0px,0px, 0);}<\/style><\/div><div  class=\"tatsu-module tatsu-normal-button tatsu-button-wrap   tatsu-rk7Jn1hk9   \"><a class=\"tatsu-shortcode mediumbtn tatsu-button left-icon circular   bg-animation-none  \" href=\"https:\/\/analixforever.com\/\" style=\"\" aria-label=\"Analix Forever\" target=\"_blank\" rel=\"noopener\">Analix Forever<\/a><style>.tatsu-rk7Jn1hk9 .tatsu-button{background-color: rgba(232,219,208,1);color: #ffffff ;}<\/style><\/div><div  class=\"tatsu-module tatsu-inline-text clearfix tatsu-Bk_l0y2J5   \" ><style>.tatsu-Bk_l0y2J5 .tatsu-inline-text-inner{width: 100%;text-align: left;}.tatsu-Bk_l0y2J5.tatsu-inline-text{margin: 20px 0px 30px 0px;}@media only screen and (max-width: 767px) {.tatsu-Bk_l0y2J5 .tatsu-inline-text-inner{width: 100%;}}<\/style><div class=\"tatsu-inline-text-inner tatsu-align-center\">\n<p><strong>&#8220;La Vie&#8221; by Abdul Rahman Katanani, until April 18.&nbsp;<\/strong><\/p>\n<p>Galerie Analix Forever, rue du Gothard 10, Ch\u00eane-Bourg.&nbsp;Open Wednesday, Thursday and Friday from 1:00 p.m. to 5:30 p.m. and by appointment: 022 860 03 72<\/p>\n<\/div><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-ByS-q12yq.tatsu-column{width: 50%;}.tatsu-ByS-q12yq.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-ByS-q12yq > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-ByS-q12yq > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-ByS-q12yq > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-ByS-q12yq > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-ByS-q12yq.tatsu-column{width: 50%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-ByS-q12yq.tatsu-column{width: 50%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-ByS-q12yq.tatsu-column{width: 100%;}}<\/style><\/div><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-half tatsu-column-image-none tatsu-column-effect-none  tatsu-rygBb51hJ5\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-module tatsu-inline-text clearfix tatsu-Skzzqyh1c   \" ><style>.tatsu-Skzzqyh1c .tatsu-inline-text-inner{width: 100%;text-align: left;}@media only screen and (max-width: 767px) {.tatsu-Skzzqyh1c .tatsu-inline-text-inner{width: 100%;}}<\/style><div class=\"tatsu-inline-text-inner tatsu-align-center\">\n<p style=\"text-align: justify;\">Abdul Rahman Katanani claims freedom, and more specifically, in this exhibition entitled &#8220;La Vie&#8221;, the freedom of women. To assert this freedom, the artist creates works that represent woman at her most sumptuous: he sculpts vulvas. They are forged from old oil barrels, blood red, brick, fir green or royal blue, which he has riddled with rifle bullets beforehand&#8230;<\/p>\n<p style=\"text-align: justify;\">&#8220;Women&#8217;s sex is too often considered shameful, taboo, it must remain hidden. This is particularly the case in Muslim culture, even if historically it hasn&#8217;t always been so. But I also work on the male sex, sculpting high totems made up of three or four superimposed barrels. The concept of sex is both natural and political, and that interests me. Human beings are not superior in nature, they are simply part of it.&#8221; Abdul much prefers the term humanist to feminist.<\/p>\n<\/div><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-rygBb51hJ5.tatsu-column{width: 50%;}.tatsu-rygBb51hJ5.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-rygBb51hJ5 > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-rygBb51hJ5 > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-rygBb51hJ5 > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-rygBb51hJ5 > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}@media only screen and (max-width:1377px) {.tatsu-row > .tatsu-rygBb51hJ5.tatsu-column{width: 50%;}}@media only screen and (min-width:768px) and (max-width: 1024px) {.tatsu-row > .tatsu-rygBb51hJ5.tatsu-column{width: 50%;}}@media only screen and (max-width: 767px) {.tatsu-row > .tatsu-rygBb51hJ5.tatsu-column{width: 100%;}}<\/style><\/div><\/div><\/div><\/div><div class=\"tatsu-section-background-wrap\"><div class = \"tatsu-section-background\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-section-overlay\"><\/div><style>.tatsu-SybQZq1215 .tatsu-section-pad{padding: 90px 0px 0px 0px;}.tatsu-SybQZq1215 .tatsu-section-offset-wrap{transform: translateY(-0px);}.tatsu-SybQZq1215 > .tatsu-bottom-divider{z-index: 9999;}.tatsu-SybQZq1215 > .tatsu-top-divider{z-index: 9999;}.tatsu-SybQZq1215 .tatsu-section-overlay{mix-blend-mode: normal;}<\/style><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Until April 18 at Galerie Analix Forever, rue du Gothard 10, Ch\u00eane-Bourg. To assert women&#8217;s freedom, the artist sculpts vulvas out of cut, folded, crumpled, crushed, welded, enhanced and multicolored oil cans.<\/p>\n<div><a href=\"https:\/\/lameche.net\/en\/the-big-diary\/la-vie-exhibition-by-abdul-rahman-katanani\/\" class=\"exp-read-more exp-read-more-underlined\">Read More<\/a><\/div>\n","protected":false},"author":3,"featured_media":12205,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[39],"tags":[],"class_list":["post-13463","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-the-big-diary"],"_links":{"self":[{"href":"https:\/\/lameche.net\/en\/wp-json\/wp\/v2\/posts\/13463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lameche.net\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lameche.net\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lameche.net\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/lameche.net\/en\/wp-json\/wp\/v2\/comments?post=13463"}],"version-history":[{"count":1,"href":"https:\/\/lameche.net\/en\/wp-json\/wp\/v2\/posts\/13463\/revisions"}],"predecessor-version":[{"id":13480,"href":"https:\/\/lameche.net\/en\/wp-json\/wp\/v2\/posts\/13463\/revisions\/13480"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lameche.net\/en\/wp-json\/wp\/v2\/media\/12205"}],"wp:attachment":[{"href":"https:\/\/lameche.net\/en\/wp-json\/wp\/v2\/media?parent=13463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lameche.net\/en\/wp-json\/wp\/v2\/categories?post=13463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lameche.net\/en\/wp-json\/wp\/v2\/tags?post=13463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}